Last night, however, that conceit did not bother me at all. Perhaps Teddy Bergman’s exuberant production somehow softened the approach, or perhaps I felt less defensive...
In the summer of 1947, when Marlon Brando was young, beautiful and not yet famous, the director Elia Kazan gave him $20 to get himself to...
By a campfire on the shore of Lake Geneva in 1816, five friends take up the challenge of telling the scariest story. Mary Shelley is clearly...
“Cymbeline,” really? But why? That tends to be my reaction whenever I hear that the overstuffed late Shakespeare play is getting a revival. Surely there must...
After 17,800 shows and 82,150 gallons of paint, Blue Man Group is hanging up its bald caps at the Astor Place Theater for good on Sunday....
There comes a point late in “A Knock on the Roof,” a new solo play about ordinary people under bombardment in Gaza, when the boundary blurs...
It’s not easy to capture a social and cultural hub, but the writer and director Matthew Gasda gave it a good try in “Dimes Square” (2022),...
Joel Paley, a dancer, playwright and director who wrote the book and lyrics for “Ruthless!,” an award-winning Off Broadway musical about an ambitious girl who will...
A water cooler. An electric guitar. A sash. Even if you know beforehand that the Target Margin production you’re attending will be an experimental reboot of...
The new show “Dead as a Dodo” opens with the word “Bone!” Followed by “Death! Death! Death!” This isn’t the kind of dialogue you’d expect from...
