Before the lights go down at the start of “Terrestrial: The Sprout,” Germaine Ingram enters, looking regal and wise. She mounts a thronelike platform and about...
Symara Sarai, like a hurricane, tore up the stage in her aptly named solo “I want it to rain inside.” She made it storm. In another...
The title of Miguel Gutierrez’s latest work, “Super Nothing,” reaches toward opposite ends of a spectrum, as if pulling itself apart: over-full and empty, momentous and...
