new video loaded: Why ‘Toy Story’ is the Best Franchise Ever The New York Times film critic Alissa Wilkinson explores how the ‘Toy Story’ films leverage...
new video loaded: Spielberg Gets Paranoid With ‘Disclosure Day’ Disclosure Day shows that after 50 years Spielberg’s fixations are the same, but his faith in the...
new video loaded: ‘Disclosure Day’ | Anatomy of a Scene The director Steven Spielberg breaks down an action sequence from his new film “Disclosure Day” for...
new video loaded: ‘Ask E. Jean’ Illuminates Cultural Shifts Alissa Wilkinson, a New York Times film critic, reflects on the documentary “Ask E. Jean” and the...
new video loaded: Why Do Most New Movies Look Meh? Jessica M. Goldstein, an arts and culture reporter, inspects why movies today look different than they...
new video loaded: How Cannes Is Grappling With Changes Reporting from the Cannes Film Festival, our film critic Alissa Wilkinson describes how the event is both...
new video loaded: ‘The Mandalorian and Grogu’ | Anatomy of a Scene transcript Back transcript ‘The Mandalorian and Grogu’ | Anatomy of a Scene The director...
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical...
I’m David Frankel. I’m the director of “The Devil Wears Prada 2.” In this scene, Andy Sachs, played by Annie Hathaway, is sitting in on her...
new video loaded: Hugh Jackman in a Truly PG-Rated Murder Mystery Our movie critic Alissa Wilkinson reviews “The Sheep Detectives” and asks: Why aren’t more movies...
