The word “solidarity” — basically, agreement between and support for members of a group — is not hard to define. But it can be hard to...
Yet four years ago, we were invited to behold a more purely arresting portrait of Sly and the Family Stone, from 1969, by this same director,...
As its title implies, “Notes on Displacement” is more of a scattered assemblage of scenes than a polished documentary. It follows the director, the Palestinian artist...
Sean Combs, the music mogul facing federal racketeering and sex trafficking charges, sued NBCUniversal and its streaming service Peacock on Wednesday, accusing them of airing a...
In Sly & the Family Stone’s prime, from 1968 to 1973, the band was one of music’s greatest live acts as well as a fount of...
This open, honest curiosity accounts for his success in gaining entry to so many communities and institutions. I interviewed Wiseman in 2018, and asked whether the...
In 1971, the artist Faith Ringgold received a grant to make a painting for a public institution in New York City. She decided to ask the...
“Apple Cider Vinegar,” on Netflix, is the latest scammer docudrama, another galling true story zhuzhed up for maximum bingeyness. This one is about two scams, though:...
On Monday, Jenkins was onstage at the festival, and the audience was on its feet. He is one of the producers on “Sorry, Baby,” a sometimes...
“No Other Land,” an audacious and devastating film, was also 2024’s most decorated documentary. It won dozens of awards from critics, juries and audiences on several...
