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Oasis and Stone Roses Musicians Team Up, and 7 More New Songs

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If you’ve ever wondered what Liam Gallagher fronting the Stone Roses would have sounded like — and don’t just say “Oasis” — have I got a song for you. The snarl-lipped Gallagher joins forces with the singular Stone Roses guitarist John Squire on “Just Another Rainbow,” the first single from a forthcoming collaborative project, and naturally the two Manchester musicians make immediate sonic sense together. “Red and orange, yellow and green, blue, indigo, violet,” Gallagher sings in his unmistakable lilt — seriously, this song has Liam Gallagher singing the colors of the rainbow. But Squire ultimately ascends into the spotlight in the track’s second half, projecting his towering, prismatic riffs across the sky. LINDSAY ZOLADZ

Smallgod and Black Sherif, two Ghanaian songwriters, harmonize on a kindly song that offers lifelong support and compassion — “I’m looking out for you wherever you are” — but also gently upbraids: “How long you go be a slave to your flaws?” An understated beat and little trickles of guitar are inviting without getting too pushy. JON PARELES

Umi, a Los Angeles-based songwriter, and V, a BTS member, offer the serenity of utter devotion, vowing to be “wherever you are” over slow guitar arpeggios and a minimal backbeat, treating a grand commitment modestly. PARELES

The hyperpop master A.G. Cook goes long form with “Silver Thread Golden Needle,” 10 minutes of staccato hyperactivity and emphatic beats. It’s a manic, ever-evolving assortment of blippy arpeggios, chopped-up voices, snappy electronic percussion, skidding distorted notes and pearly resonances, always hurtling ahead. PARELES

A twinkling piano riff seems to float in the weightless atmosphere of “Football,” a new song from the singer-songwriter Trevor Powers’s long dormant, recently revived project Youth Lagoon. “Maybe you’re not the person who caught the football,” Powers sings, in a long sigh of disappointment that eventually settles into acceptance. ZOLADZ

On the standout cut from her third album, “Heavy on the Vine,” the North Carolina songwriter Hannah Kaminer introduces herself to a new liaison, singing, “You look like my next stop on this highway to destruction.” The track is bluesy, subdued, minor-key Americana, with a touch of Dire Straits. The lyrics call for mutual self-deception, even though the singer knows better: “Let’s just keep what’s wrong with us a mystery,” she suggests. PARELES

Mary Timony, the enchantingly cerebral guitarist and onetime frontwoman of the indie band Helium, has spent the past decade or so rocking out in bands like the power-pop revivalists Ex Hex and the punky supergroup Wild Flag. On Feb. 23, she’ll release her first solo album in 15 years, “Untame the Tiger.” The latest single, “The Guest.” finds her in a more laid-back and reflective mode than she’s usually known for, blending weepy country licks with ruminative lyrics. “Hello loneliness, you’ve come back home,” she sings. “You were the only one who never left me alone.” ZOLADZ

It might have started as wordplay, but “Rhapsody in Blue(grass)” is a cheerful, harmonically savvy, quick-fingered and knowing adaptation of Gershwin’s “Rhapsody in Blue” by the banjoist Béla Fleck and his string band, My Bluegrass Heart. It loosely follows the trajectory of Gershwin’s composition, but it trades the orchestra for fiddle, dobro, mandolin, guitar and bass, relocating Gershwin’s big-city Romanticism to more rustic territory. PARELES